While Ubisoft hasn't revealed specifically what it plans to show off at Forward, it's promising updates and news on upcoming releases. During its most recent earnings report, Ubisoft said it would shed more light on some upcoming projects in May, but it seems Forward is now the more likely venue for that.

At Forward, we'll probably find out more details about what's next for Assassin's Creed, Ubisoft's flagship franchise. The feudal Japan-set Assassin's Creed Codename Red is slated to arrive within the next year, while we've long been awaiting more info on Assassin's Creed Infinity, which is set to tie the series together,

It's a safe bet that Star Wars Outlaws will get some shine at Forward, since that game is scheduled for release in 2024. With XDefiant being delayed indefinitely (it was supposed to arrive by the end of March) amid reports of a troubled development process, perhaps we'll find out more about that game at Forward too. Mobile games The Division Resurgence and Rainbow Six Mobilewere also slated to come under the spotlight in May, so we could see those at Forward as well. Just don't expect any sea shanties this time.

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The move gives the game a bit more distance from another major open-world action-adventure game in Marvel's Spider-Man 2 (which is set to hit PS5 on October 20th). However, Assassin’s Creed Mirage will now be going up against Detective Pikachu Returns, which will debut on Switch on October 6th.

Ubisoft is taking Assassin's Creed back to its roots with Mirage. It has a smaller scope than recent entries, the last of which (Assassin's Creed Valhalla) can take around 60 hours to beat — fully completing that game typically takes well over 100 hours. Ubisoft's internal playtests indicate that Mirage takes around 20-23 hours to beat and roughly 25-30 hours to fully complete.

Mirage is set two decades before Valhalla and it takes place primarily in ninth-century Baghdad. There will be a bigger focus on stealth and parkour than in recent Assassin's Creed games, while main character Basim Ibn Ishaq can slow down time to help you plan assassinations. Additionally, Mirage will have a full Arabic-language dub and subtitles, which could help the game feel more immersive.

Ubisoft has a busy few months ahead. Along with Mirage, The Crew Motorfest will arrive on September 14th while Avatar: Frontiers of Pandora is dated for December 7th. XDefiant, Assassin's Creed Nexus VR and mobile title Tom Clancy's The Division Resurgence are all slated to arrive by the end of the year too. Skull and Bones still exists somewhere.

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Ubisoft's tendency to overstuff its games coiled around AC Valhalla, squeezing much of the fun out of my time with it. I could tell early on that the world was too big with too much to do. I had a similar problem with Far Cry 6, another recent open-world Ubisoft game I endured for around the same length of time.

Assassin's Creed Mirageis blessedly billed as a return to the series' leaner early days, when Ubisoft was restricted by PlayStation 3 and Xbox 360 hardware. After a few hours of hands-on time split across three sections of the new game, it feels like that's the case, but it's hard to say for sure given the curated nature of the demo.

I started out with a brief prologue and a time skip to a training segment, the latter of which included an appropriately weighty initiation ceremony, the critical moment in which Basim, the protagonist, became a Hidden One and received the iconic hidden blade. It also featured the incredible voice of Shohreh Aghdashloo as Master Roshan, Basim's mentor.

I was then able to spend 90 minutes or so in the open world. After I loaded into this section, Basim appeared on a perch and I was told that there were new points of interest to check out. I immediately opened the map and was pleased to see there weren't a million icons that threatened to pull me away from the main objectives. There were 15 or so, which feels far more palatable than the overwhelmingly busy maps I’ve seen in previous games.

Mirage largely takes place in ninth century Baghdad, a couple of centuries before the Holy Land setting of the original Assassin's Creed, but around the same time as AC Valhalla (Basim made his first appearance in that game). Ubisoft has crafted a rich, lived-in world that's full of detail and is said to be around the same size as Paris in Assassin's Creed Unity. Most importantly, the bits I played were dense with structures, so it was far more about parkouring across rooftops than sailing on Viking ships with raiding parties. It reminded me of exploring Venice in Assassin’s Creed II.

There were some key things to try, such as tearing down posters to reduce my wanted level, a returning mechanic from previous games. That was essential to avert unwelcome attention after I executed every single person responsible for stealing tea from one of Basim's associates (there's no forgiveness for such a crime). Pickpocketing was also an important part of Basim's toolkit, as a means of procuring valuable items to bribe contacts for information. Still, I had no trouble focusing on the missions instead of getting distracted by, say, a nearby eagle feather.

The last section of my hands-on time centered on an investigation. Ubisoft's approach here is a callback to the black-box format of games like Unity: You'll need to discover information about an assassination target before you can take them out by completing smaller objectives. You can take these on however you like.

One involved infiltrating an enemy camp to find intel. It took me a few attempts to find an approach that worked here. Sending Basim's eagle companion Enkidu to scout out bad guys' locations was a big help, but it all inevitably fell apart when I failed to account for one goon whose buddy I executed right in front of them. I learned to be more careful in my later attempts, and not to rush through the encounter despite the time limit on my demo.

The enemy AI seemed smarter than before, too. During the prologue, I messed up (intentionally, of course) an attempt at pickpocketing, which used a timing-based minigame. It took a few minutes of fleeing over and around buildings to finally shake my foes so I could return to my task. I also had to account for more intelligent adversaries that seemed wise to some of Basim's tricks during my foray into the enemy camp. I died a few times, but eventually found a way to complete my task.

While you'll be able to unlock new abilities and level up Basim's weapons and tools through skill trees, it seems Ubisoft has pulled back on some of the RPG elements that have seeped into the series in recent years. I didn't need to worry about finding armor to boost a certain stat, for instance, and I was very thankful for that.

Mirage feels like a throwback in the most positive of ways. It's a return to a format that feels fresh rather than dated. Basim's movement feels fluid and he has enough tools at his disposal to give you a lot of strategic options for enemy encounters. Stealth-based combat and the return of social blending are welcome. However, I completely forgot to try Basim's chain-assassination ability, which looked cool whenever Ubisoft showed it off.

I think we need more AAA games that are smaller in scope, rather than the enormous blockbusters that can take more than 100 hours to complete. Cutting out bloat could reduce developers' workloads and mitigate the need for crunch as well. After reading some Starfield reviews suggesting that game doesn't really get going until around the 12-hour mark, I'm far less interested in checking it out (though I inevitably will).

Assassin's Creed Mirage is an entirely different game than Starfield, but I'd like to see more projects going in this direction. There will still be plenty of room for games that will take months to fully complete, but major publishers and studios stand to benefit from offering more intimate experiences in their key franchises — or at least different ones.

It remains intriguing that Ubisoft has decided to charge $50 for Mirage, rather than the typical $60 or $70 that AAA games cost these days. The publisher may be wary of criticism over charging “more” for "less" purely in terms of game length: Mirage is expected to ship with about 30 hours of content.

On one hand, the pricing decision devalues the work of the development team that created Mirage. On the other, Ubisoft might be very wary of bad press after years of thudding body blow after thudding body blow. That said, there's still an in-game store where you can buy cosmetic items if you wish, so some old tendencies remain.

This is one of Ubisoft's first steps in a grand plan to bring its tentpole series together as part of a project called Assassin's Creed Infinity. Based on my first few hours with Mirage, the company is moving in the right direction, which may involve scarpering up the side of an exquisitely crafted structure.

Assassin's Creed Mirage will arrive on PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S and PC on October 5.

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The deeper I got into Assassin’s Creed Mirage, the more a sense of warm nostalgia washed over me. It felt like a cozy hug from an old friend. A comforting, bloody embrace.

The latest entry in Ubisoft's long-running open-world adventure franchise takes the series back to its roots. Mirage mostly forgoes the RPG approach Ubisoft adopted in the last three main games: Assassin's Creed Origins, Odyssey and Valhalla. I'd only played the latter of those and it didn't click for me, largely because of Ubisoft's propensity to ovestuff its games and partially because it strayed so far away from the earlier titles.

Some of Valhalla's DNA carries over to Mirage, which shouldn't be surprising as the latest game was originally envisioned as an expansion to the last 100-plus-hour epic. There is some loot to hunt for in the form of swords, daggers and outfits that give protagonist Basim some small upgrades, such as reducing the level of notoriety he gains while carrying out illegal actions or passively regenerating some health. These items are upgradable, as are your tools. One neat, if unrealistic perk, makes an enemy disintegrate after Basim eliminates them with a throwing knife. So, you can tweak your build to fit your playstyle to a certain degree.

There are skill trees too, but rather than unlocking things like a slight increase to the damage Basim deals, the abilities here are genuinely impactful. Pinpointing opponents and important items from further away, reducing fall damage and a chain assassination ability are all super useful tools for Basim to have in his belt.

Ubisoft has pulled back quite a bit on the RPG elements of the previous few games. You won’t be using bows, shields or two-handed weapons as you might in Valhalla, for instance. Still, there's just enough customization for folks who want to optimize (or min/max) Basim for the way they like to play.

"Just enough" is a thought I kept coming back to in the 17 hours it took me to beat the main story. Mirage is just the right length. There are just enough collectibles and side-quests to make the world feel rich but not overwhelming. There's just enough to the story, which is fairly by-the-numbers though gets more intriguing in the last couple of hours. There's just enough variety to the enemies.

There are only a few enemy types, and I love that Mirage doesn't go down the well-worn and nonsensical path of arbitrarily making them stronger based on their geographical location — an aspect of Dead Island 2I greatly disliked. Although Basim largely has to make do with his sword and dagger (and, of course, the Hidden Blade), enemies have a variety of weapons. A trio of goons will pose a different threat when they have spears instead of swords. You'll have to navigate that melange of weaponry carefully, especially so when enemies surround you. Putting an onus on that and the level design for encounters helps make Mirage feel like more of a refreshing throwback.

In the main missions, I only encountered one traditional boss fight toward the end of the story. Practically every other enemy was susceptible to a single-button slaying. I absolutely made the most of that by sneaking up on assassination targets or distracting them with noise-making devices. The game actually discourages open combat, anyway. You won't gain experience points by killing tons of enemies. Staying stealthy is usually the way to go — unless you're a completionist, since there's a trophy/achievement that requires you to stay in open combat for 10 minutes. Thankfully, the game makes it fairly easy for you to slink around.

Contrary to my first impressions, the guards of Baghdad aren't all that smart. They'll often be briefly puzzled when they encounter the dead body of a colleague they were chatting with seconds earlier before walking away. They'll quickly give up on a hunt for Basim. They'll see a cohort being yanked around a corner and think nothing of it. That breaks the immersion a bit, but it does make it easier to mess with these idiots.

I took some delight in tormenting my opponents, even if that may not match up to the code of conduct the assassins live by. One larger grunt was trapped in a room alone to guard a chest. I entered, used a smoke bomb to distract him, opened the chest and left, blocking the path behind me. I then made my way around to a gate that kept the guard locked in from the other side and spent a few minutes whistling at him, for no reason other than to annoy him and amuse myself.

The real star of the show is the version of ninth-century Baghdad Ubisoft has built. It feels rich and lived-in, with bystanders simply going about their day as a hooded figure darts by them to climb up the side of a building. Unfortunately, that level of detail wasn't reflected in the character models. Main characters and NPCs alike looked far less refined than their surroundings.

Some Arab critics and reviewers appreciated how Ubisoft represented Baghdad and Muslim culture in the game, and that's a positive sign. In that sense, Mirage seems like a prime candidate for the historical educational modes that Ubisoft has added to recent Assassin's Creed games.

I can't personally speak to the authenticity of the environment Ubisoft has created. The same goes for the Arabic used in the game, but the developers at least strove to avoid anachronisms. I spent an hour or so playing in Arabic with English subtitles and found it a compelling way to experience the game, though I missed hearing the velvet-voiced Shohreh Aghdashloo's portrayal of Basim's mentor Roshan too much.

Aghdashloo's performance is one of several highlights of a solid game. Developer Ubisoft Bordeaux has achieved what it set out to do in bringing back the format of early Assassin's Creed titles while adding some modern bells and whistles (such as a gameplay option to avoid the turgid pickpocketing minigame) and avoiding some of the old trappings.

No part of the game that I've encountered is set in the modern day. That's a wise move, since those parts of previous games pulled me out of the main experience and into some tedious sections that sought to serve a larger story. I didn't hear the word "animus" once this time around. Mirage does tie back into the broader Assassin's Creed narrative — Basim makes an appearance in Valhalla, after all — but you won't get sidetracked by Desmond Miles or Layla Hassan. That meant I could spend more of my time roaming the streets and rooftops of this well-crafted city, scouting enemy camps from above and figuring out the best way to approach an assassination mission.

Mirage probably won't be for everyone, including those who appreciated the format of the last three big Assassin's Creed games, but it struck a chord with me. Even though I've wrapped up the main story and have a bunch of other games to play (I'm looking at you, Cocoon and Spider-Man 2), I'll probably spend a little while longer nuzzled up in the comfort of Mirage.

Assassin's Creed Mirage is out now on PC, PlayStation 4, PlayStation 5, Xbox One and Xbox Series X/S. It's coming to iPhone 15 Pro devices next year.

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